![]() ![]() Claudio Abbado’s Berlin recording achieves this in abundance, investing significancenin each phrase, employing a vast range of dynamics, from a magical pianissimo to the most powerful fortissimo, while paying attention to the musical narrative. Arturo Toscanini set the bar high thanks to his barnstorming account with the New York Philharmonic from 1936.Īfter this, vastly different approaches to the score were offered by such conductors as Wilhelm Furtwängler, Otto Klemperer and Hermann Scherchen, while the mid 1970s recording by Carlos Kleiber and the Vienna Philharmonic deserves a special place in any collection.Įach of the recordings that stand out manages to remind us of the original compositional skills at work. Well over 100 conductors have recorded Beethoven’s Seventh with many setting down several versions. The best recording Beethoven’s Symphony No. ![]() One critic suggested that the composer had exploited disagreeable eccentricities for their own sake and a daring sequence of chromatic harmonies in the first movement allegedly led Weber to declare that Beethoven was ‘now only fit for the madhouse’. ![]() But not everyone was so favourably disposed. The audience gave the work a favourable reception and demanded that the second movement be encored. Read reviews of the latest Beethoven recordings here.The best recordings of Respighi’s Pines of Rome. ![]()
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